DAFTAR ISI
ABSTRAK .......................................................................................................... i
KATA PENGANTAR........................................................................................ ii
DAFTAR ISI....................................................................................................... iv
DAFTAR GAMBAR.......................................................................................... iv
DAFTAR TABEL.............................................................................................. v
BAB I PENDAHULUAN
A.
Latar Belakang Masalah........................................................ 1
B.
Identifikasih Masalah............................................................ 4
C.
Pembatasan Masalah.............................................................. 5
D.
Rumusan Masalah.................................................................. 6
E.
Tujuan Penelitian................................................................... 8
F.
Manfaat Penelitian................................................................. 8
BAB II LANDASAN
TEORITIS DAN KERANGKA KONSEPTUAL
A.
Landasan Teoritis................................................................. 10
1.
Pengertian Pergeseran...................................................... 11
2.
Teori Fungsi..................................................................... 11
3.
Pengertian Tari
Moyo...................................................... 14
4.
Teori Musik Pengiring...................................................... 15
5.
Teori Tari.......................................................................... 21
B.
Kerangka Konseptual........................................................... 21
BAB III METODOLOGI
PENELITIAN
A.
Metodologi Penelitian.......................................................... 23
B.
Lokasi dan Waktu
Penelitian................................................ 24
C.
Populasi dan Sampel............................................................. 24
1.
Populasi............................................................................ 24
2.
Sampel............................................................................. 25
D.
Teknik Pengumpulan
Data................................................... 26
1.
Observasi Dan Pengamatan............................................ 26
2.
Wawancara...................................................................... 27
3.
Dokumentasi.................................................................... 28
4.
Studi Kepustakaan........................................................... 28
E.
Teknik Analisis
Data............................................................ 30
BAB IV PEMBAHASAN DAN HASIL PENELITIAN
A. . Deskripsi Tari Moyo
(Tari Elang) di Kota Medan............... 32
a. Isi Cerita........................................................................... 32
b. Isi Pesan........................................................................... 32
c.. Bahasa Nias..................................................................... 32
B... Bagaimana sejarah Tari Moyo (Tari Elang) Di
Kota
...... Medan.................................................................................. 33
C... Penari Moyo (Tari Elang)..................................................... 35
E.... Deskripsi Gerak Tari
Moyo (Tari Elang).............................. 36
F.... Beberapa Gerakan
Dalam Tari Moyo (Tari elang)................ 37
G... Partitur Lagu pada Tari Moyo (Tari Elang).......................... 39
...... 1.
Partitur Tari Moyo (Tari Elang) Sebelum
...... Mengalami Pergeseran...................................................... 40
...... 2.
Partitur Tari Moyo (Tari Elang) Setelah
...... Mengalami Pergeseran...................................................... 41
...... H. Nada-Nada Pada Tari Moyo (Tari Elang)............................. 47
...... I. Penyebab Pergeseran Fungsi Musik Gondra Pada Tari Moyo
...... (Tari Elang) ............................................................................ 47
J. Instrumen
Musik Pengiring Tari Moyo 51
a. Gong (Aramba)................................................................. 52
b. Gondra............................................................................. 54
c. Saraina (Faricia) ............................................................... 58
K. . Dampak Yang Timbul
Terhadap Pergeseran Fungsi
Musik Gondra
Pada Tari Moyo (Tari Elang)........................ 61
1.
Dampak Positif................................................................. 61
2.
Dampak Negatif............................................................... 62
BAB V KESIMPULAN DAN SARAN
A. . KESIMPULAN................................................................... 63
B... SARAN................................................................................ 64
DAFTAR PUSTAKA....................................................................................... 65
Contoh Daftar Isi
Daftar Isi
Sarjana
Skripsi
Skripsi Bahasa Dan Seni
Studi Pendidikan Musik
Tugas Akhir
Wisuda